Reconsidering How We Tell Stories

It’s time for nonprofit communicators to think about not just why we tell stories but also how we tell them. Abesha Shiferaw sums up the reason beautifully in her blog post about responsible storytelling (link to post is below): “When we tell the stories of the people we serve we are creating people in the imagination of our audiences and contributing to their existing biases, narratives, opinions, and ideas about the people in the story. We have to acknowledge this power. Words have power. Stories have power. They can be revelations for change or destruction. [Chinua] Achebe also said, ‘until the lions have their own historians, the history of the hunt will always glorify the hunter.’”

Here are some resources to get started:

  • http://ethicalstorytelling.com/pledge/
  • http://ethicalstorytelling.com/resources/
  • https://rainiervalleycorps.org/2018/04/tell-compelling-stories-avoiding-savior-complex-exploitation/
dandelions

Image credit: Pixabay

A Summer Full of New Projects

new projects summer work fun

I wish this had been my summer view. I did get in some good time away with my husband.

Working is not generally how someone describes a fun summer. But new projects and clients and ongoing work made me one happy camper. Er, freelancer.

I was thrilled to take on a significant project for Doctors Without Borders/Médecins Sans Frontières (MSF), writing website pages about the organization’s activities in 48 of the countries where it has a presence. The work was compelling and challenging, and my MSF contacts have been wonderful to work with. I look forward to wrapping up that project by the end of the year.

It is always exciting to welcome a new regular client. This summer, Caron Treatment Centers hired me to be their go-to freelance writer. I’m enjoying the chance to write web content about their drug and alcohol addiction treatment programs. This new gig is stretching my medical content expertise even further, and I get to work with great people.

Thanks to a recommendation from a former client contact, I had the opportunity to write a white paper about intentionally diverse public schools. It was interesting to hear about the work school founders are doing to create an academic environment that promotes racial equity. I also wrote annual report content for an educational nonprofit that does great work supporting students in need across the country.

My work as the newsletter editor for the Organization for Autism Research (OAR) continues to be a pleasure. I can’t say enough good things about the amazing work this nonprofit does to provide information and resources for individuals with autism and their families. This year marks 12 years of working with the dedicated OAR crew.

I have been working for Enterprise Community Partners even longer. If you don’t know about this impressive nonprofit organization that makes well-designed homes affordable, you should. I have written for some of its publications and provided both copy and substantive editing for its website and many reports over the years. My client contact is an experienced professional who is also a delight to work for and with.

These new projects and long-term clients are why I love my work. If you or someone you know has a project coming up that needs a freelance writer or editor, please email me at info@almsink.com.

Storytelling Should Be a Critical Tool in Creating Your Content

storytelling

Image credit: Pexels

Humans love a story. That’s why storytelling should be a critical tool in creating your organization’s content. It draws your readers in, keeps them reading, and helps them remember what you told them. These are the key elements of storytelling that you can and should use.

Open the door just enough that they are intrigued by what they can see and what they have yet to see. These examples from well-known writers should give you some inspiration:

  • It is summer, and so, we are repeatedly reminded, it is time for the beach — beach bodies, beach reads, fruity beach drinks in tall glasses festooned with tiny paper umbrellas and fruits skewered on tiny plastic swords. This is an ideal beach of hot sun, warm sand, crystal-clear water that leaves your skin salted. But it is all too often a mirage. Roxane Gay writing in “The New York Times”
  • On the isolated shore of the Savage River, in the backcountry of interior Alaska, there’s a small memorial to a deceased woman named Claire Ackermann. A pile of rocks sits on a metal plaque with an inscription that reads, in part: “To stay put is to exist; to travel is to live.” Jon Krakauer writing in “Outside”

Give them a hero. The hero could be a member of your staff; a product or service; a client, patient, or customer; a donor, volunteer, or beneficiary. It could be your organization. (The line between coming to the rescue and bragging is thin indeed. Pay attention to make sure you are doing the former.).

Put your readers in your story. Or give them a way to put themselves in the story. For example:

  • You have been in this place. Home on a Friday night, kids in bed, the latest episode of your favorite show ready for your viewing pleasure, when without even a whimper, your DSL ceases to work. Down. Out. Gone. Along with your modest dreams for a relaxing evening. What do you do?
  • She isn’t alone. In fact, thousands of teenage girls (and boys) struggle with body image and food. Parents often struggle right along with them, yearning to do the exact right thing to get their child back on a healthy track and cautious about taking the wrong step. Maybe you are that parent. Or maybe you were once that teenager. Perhaps you are both. We can help.

Give your story a narrative arc. ThoughtCo. defines the narrative arc as made up of the following components: exposition, rising action, climax, falling action, and resolution. Writer’s Digest describes the narrative sequence as “the structure that: 1) brings readers in and hooks their interest; 2) keeps them reading; and 3) leads them and the story to a fulfilling conclusion. That’s how beginning, middle and end function in a narrative.” Present the problem. Describe the consequences if the problem is not solved. Solve the problem. That is, in fact, what tips columns like this one often do.

Create action. Every good story needs action. In the case of a blog post or website content, the action you should never leave out is a call to action for your readers/customers. Do you want readers to sign up for a savings account? Donate money? Read more?

Be clear, specific, and concise in your call to action. Don’t ask readers to “Read more here.” Better: “Read Emu the whale’s story,” “Sign up for our monthly newsletter,” “Compare savings accounts,” or “Donate now to bring the pups home.”

Give your readers a resolution. That resolution depends a lot on the type of content you are writing. If it’s a tips article, you can summarize the importance of the tips and how using them will make the reader’s work or life better. If it’s a how to, you can wrap up with “If you follow all the steps, you will find you have…” If you are writing a post or article that compares the wrong way to do something to the right way, wrap up with a conclusion that gives them the benefits of the right way or a personal anecdote of what happened to you or your company/organization when you did things the right way.

Finally, the best way to learn the art of storytelling is to read. What you read doesn’t really matter—magazines, newspapers, novels, nonfiction—whatever you enjoy is fine. As you read, pay attention to the ways the writers draw you in, keep your attention, and accomplish their objective to entertain, instruct, inform, or persuade you.

Need help telling your organization’s stories? Sherri Alms has been helping organizations tell their stories for more than 20 years. 

Make Sure Your Writing Provides Excellent Customer Service

plane

Returning recently from a vacation, my husband and I took a connecting flight out of Chicago to Baltimore. Once we arrived at O’Hare, we checked the monitors along our way to the gate, and saw that the flight was scheduled to depart on time. When we got to the gate, the sign said the same. We settled into the waiting area chairs and watched the minutes tick by.

It soon became clear that our flight would not depart on time, despite the sign that still told us it would. Several people went up to talk to the customer service representative at the desk. Soon after, she got on the microphone and said, “Attention, passengers on Flight XXXX, we don’t know where your plane is, and we don’t know where the crew is so we can’t tell you when the flight will leave.”

Really.

A low rumble of grumbling ensued. One woman near us declared to her husband that she was going to go get a beer. I know you all have been in this waiting area.

Lots of Questions. No Answers.

My husband and I just looked at each other. Was the plane delayed in Bali? Boston? Having mechanical difficulties? Would it ever arrive? And what about that crew? Were they all sick? Lost? On strike? Should we rush to reschedule? Sit tight? Burst into tears?

B. headed to the desk to talk to the customer service representative. When he came back, he was smiling but it wasn’t a “problems all solved” kind of a smile, more of a “what the heck?!” kind of a smile. It turns out that the plane was coming from a hangar and the crew was in the airport just not to the gate yet.

Next thing we know, she comes on to tell us that exact information and then that there will be “decision time” at the original time of take-off. Decision time? What did that mean? The flight had a plane and a crew. And a whole bunch of passengers who were all decided. What more did we need?

Soon after, the plane arrived, the crew arrived, and we took off about 45 minutes later than scheduled.

Writing for Your Customers

Why am I writing about this? Because it’s a textbook example of how not to communicate. Instead, when you are writing to your customers/clients/supporters, do this:

1. Give them the information they ask for. Don’t engage in vague generalities or feel-good (or, in the case of the airline representative, feel-bad) statements. If you don’t have the information, they need, explain why and then how you will get it.

2. Tell them what you are good at in concrete terms. Stay away from overused words, such as innovative, groundbreaking, pioneering, excellent. Instead, illustrate. To showcase your staff’s experience, for example, tell readers how many years combined experience the staff has. If you want your readers to know how innovative you are, provide examples. Rather than writing “compassionate” over and over again, offer testimonials that illustrate that compassion. Use statistics to highlight how you are better than the competition.

3. Support your customers/supporters/readers by helping them. What kind of advice can you offer? How can you help them choose your business? What can you do to encourage new volunteers and support those you have? How can you engage potential supporters/customers?

4. Answer their complaints and acknowledge their suggestions. Set an example so that others see that they can trust you to correct mistakes and be straightforward and upfront.

5. When the news isn’t good, it may be better to lay it out than to speak in frustrating generalities. It was far better for us to hear the plane and crew were there but delayed than to hear that seemingly no one knew where the heck either was.

Take a lesson from our hapless customer service representative. Communicate honestly. Be specific. Tell your readers what they want and need to know. They will thank you.

If you want to know more about communications strategies and methods, email Sherri Alms.